26 July - 27 September 2025

A Bird, A Cage, A God of Flowers

Pepe Delfin

Probing the communicative exigencies of trauma, Pepe Delfin (Born 1991 in Capiz, Philippines; Lives and works in Manila) deploys her dexterity with geometric abstraction in A Bird, A Cage, A God of Flowers. The exhibition’s title is derived from the three key metaphors in Mary Oliver’s The Kookaburras and situates the exhibition between the opposing notions of confinement and freedom. This affinity with the allegorical is a core operation in the present series, which utilizes visual storytelling within the principles of trauma-informed care. Elucidating the challenges that survivors confront when speaking about grave emotional distress, the artist frames her intentions as acts of circumlocution—the ability to anatomize lived experiences by breaking down line, color, and shape stands as a device of figurative expression. In this way, Delfin seeks to transform mathematical optics into signifiers of somatic and psychological wounds, presenting alternative ways of articulating the complexities of such ordeals beyond their forms and ramifications and, more crucially, in the hopes of healing and release.

Text by Chesca Santiago

Public program for the exhibition is co-presented with Lunas Collective

Pepe Delfin (Born 1991 in Capiz, Philippines; Lives and works in Manila)

Exploring abstract forms through geometric shapes and lines, Delfin’s careful placement of elements produces visual narratives of experiences, observations, and relationships with people and contemporary life. Her paintings, illustrations, and video installations include scenarios that depict solitude and the multitude of expressions through bright colors and structures as a form of expression, unbounded by traditional forms of image-making.

Delfin is influenced by Josef and Anni Albers' studies and theories on color, where color is never singular and always presents itself in continuous fluxes, constantly linked to the changes in environment and conditions. Delfin's approach to geometrical abstraction broadens the perspective one can take in portraying reality according to the artist's observation and perception. The non-illusionistic settings found in her works prompt a realm filled with cues that engage the viewers to form their understanding of images, meanings, and realities.

Selected Works from A Bird, A Cage, A God of Flowers